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3 DIMENSIONS

Acoustic Triangle

Malcolm Creese - double bass
Tim Garland - saxophones, bass clarinet, flute
Gwilym Simcock - piano, french horn
Ben Hancox, Hannah Dawson, Charlotte Scott & Emma Parker - violins
Robin Ashwell - viola
Cara Berridge - cello

An album of virtuosic un-amplified music - celebrating the common ground between improvised jazz and contemporary classical traditions.

(Clickfor mp3 samples)

Sanctuary For A Living Memory (Tim Garland)
1. The Power Of Now  
2. For Whom  
3. Old Timer    
4. Ringing The Changes    
5. All Seasons    
 
6. Fundero (Gwilym Simcock)    
 
Red Sky (Gwilym Simcock)
7. The Calm; Darkening    
8. Overhead 1 - The Eye    
9. Overhead 2 - Passing    
 
Singing Stones (Tim Garland)
10. Awakening    
11. Gathering    
12. Approaching    
13. Arriving    
 
14. The Moon For Her (Tim Garland)  

Total Time: approx 75 mins

Recorded by Bob Whitney at Yewfield, Cumbria - March 2008
Mixed by Andrew Tulloch, Malcolm Creese, Tim Garland and Gwilym Simcock
Mastered by Andrew Tulloch
Produced by Malcolm Creese Co-produced by Tim Garland
Photo by John McCarthy
Design by Yoshiki Bann

ABCD 5024
© 2008 Audio-B Ltd

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Reviews

Yorkshire Post 23rd July 2008

Here's a collaboration between one of Britain's classiest trios and a sextet of string players for an often quite beautiful programme in which elements of composed and improvised music find an attractive balance. Acoustic Triangle - pianist Gwilym Simcock, bassist Malcolm Creese and saxophonist Tim Garland - have written the music, which includes three suites. The trio play beautifully and the strings are integrated into the performances. The music is contemplative in mood, though there's plenty of passion in it. It's a rewarding listen. AV

The Times June 21, 2008

Speakeasies, bars and juke joints, yes, but only occasionally does jazz tiptoe into the church.

Acoustic Triangle - the redoubtable trio of Malcolm Creese, bass, Tim Garland, reeds, and Gwilym Simcock, piano - explore a fertile terrain where jazz improvisation merges into modern classical music. On their latest tour the group, plus six string players, are visiting the great cathedrals of England playing music designed to take advantage of the luminous acoustics. Propelled by spiky strings or Creese's sinuous bass, their compositions are full of melody and drama, convincingly merging notated scores with the explorations of first-rate improvisers. Even the godless will be charmed.

John Bungey

 
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